Sarasota Ballet: Dancers’ Contracts
In the Herald-Tribune, Carrie Seidman reports on dancers’ contractual renewals and non-renewals for the 2017-18 season.
Read moreIn the Herald-Tribune, Carrie Seidman reports on dancers’ contractual renewals and non-renewals for the 2017-18 season.
Read moreIn the Washington Post, Sarah Kaufman reports on Washington Ballet’s 2017-18 season.
Read moreIn the Boston Globe, Jeffrey Gantz reviews Boston Ballet’s season closing program, including Balanchine’s Stravinsky Violin Concerto, Jorma Elo’s Creatures of Egmont and Jerome Robbins’ The Concert.
Read moreIn the Washington Post, Sarah Kaufman reports on the appointment of former New York City Ballet principal dancer Damian Woetzel as president of the Juilliard School in New York.
Read moreIn the Independent, Zoe Anderson reviews the Royal Ballet’s mixed bill of Liam Scarlett’s Symphonic Dances, Christopher Wheeldon’s Strapless, William Forsythe’s The Vertiginous Thrill of Exactitude and Balanchine’s Tarantella.
Read moreIn the Observer, Robert Gottlieb reviews the 2017 Spring Season at New York City Ballet.
Read moreIn the Guardian, Judith Mackrell reviews the Royal Ballet’s premiere of Liam Scarlett’s Symphonic Dances, Christoher Wheeldon’s Strapless, William Forsythe’s The Vertiginous Thrill of Exactitude and Balanchine’s Tarantella.
Read moreIn the Guardian, Emma Froggatt discusses The Nutcracker: The Story of Clara, choreographed by Graeme Murphy.
Read moreIn the New York Times, Alastair Macaulay reviews the May 4, 2017 Spring Gala, including the premiere of Alexei Ratmansky’s Odessa, Peter Martins’ Jeu de Cartes, Balanchine’s Tchaikovsky Pas de Deux and Christopher Wheeldon’s After the Rain Pas de Deux.
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