Sarasota Ballet: Dancers’ Contracts
In the Herald-Tribune, Carrie Seidman reports on dancers’ contractual renewals and non-renewals for the 2017-18 season.
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Washington Ballet: 2017-18 season
In the Washington Post, Sarah Kaufman reports on Washington Ballet’s 2017-18 season.
Read moreBoston Ballet: Season closing mixed bill, review
In the Boston Globe, Jeffrey Gantz reviews Boston Ballet’s season closing program, including Balanchine’s Stravinsky Violin Concerto, Jorma Elo’s Creatures of Egmont and Jerome Robbins’ The Concert.
Read moreJuilliard School: Damian Woetzel
In the Washington Post, Sarah Kaufman reports on the appointment of former New York City Ballet principal dancer Damian Woetzel as president of the Juilliard School in New York.
Read moreRoyal Ballet: mixed bill review, Independent
In the Independent, Zoe Anderson reviews the Royal Ballet’s mixed bill of Liam Scarlett’s Symphonic Dances, Christopher Wheeldon’s Strapless, William Forsythe’s The Vertiginous Thrill of Exactitude and Balanchine’s Tarantella.
Read moreNew York City Ballet: Spring Season, Observer review
In the Observer, Robert Gottlieb reviews the 2017 Spring Season at New York City Ballet.
Read moreRoyal Ballet: mixed bill, Guardian review
In the Guardian, Judith Mackrell reviews the Royal Ballet’s premiere of Liam Scarlett’s Symphonic Dances, Christoher Wheeldon’s Strapless, William Forsythe’s The Vertiginous Thrill of Exactitude and Balanchine’s Tarantella.
Read moreAustralian Ballet: Graeme Murphy’s Nutcracker
In the Guardian, Emma Froggatt discusses The Nutcracker: The Story of Clara, choreographed by Graeme Murphy.
Read moreNew York City Ballet: Spring Gala, NY Times review
In the New York Times, Alastair Macaulay reviews the May 4, 2017 Spring Gala, including the premiere of Alexei Ratmansky’s Odessa, Peter Martins’ Jeu de Cartes, Balanchine’s Tchaikovsky Pas de Deux and Christopher Wheeldon’s After the Rain Pas de Deux.
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