Adam Castaneda reviews the March 10, 2016 Winter Mixed Repertory program at the Wortham Center’s Cullen Theater for the Houston Press. The program includes Wayne McGregor’s Dyad 1929, Jiri Kylian’s Wings of Wax and Jerome Robbins’ West Side Story Suite.
Read moreIn the Herald Tribune, Carrie Seidman reviews the March 10, 2016 performance of the Joffrey Ballet at the Van Wezel Performing Arts Hall in Sarasota Florida. The program included Justin Peck’s In Creases, Nicolas Blanc’s Rendez-vous, Miles Thatcher’s Passengers and Christopher Wheeldon’s Fool’s Paradise.
Read moreIn the Vancouver Sun, Deborah Meyers previews the March 17-19, 2016 program at the Queen Elizabeth Theatre. Choreographer Medhi Walerski is interviewed.
Read moreIn the Pittsburgh Tribune Review, Mark Kanny reviews the March 10, 2016 mixed repertory program at the Byham Theatre. The program includes Antony Tudor’s Jardin aux Lilas, Michael Smuin’s Eternal Idol, James Kudelka’s The Man in Black and company member Yoshiaki Nakano’s A Fellow Feeling.
Read moreIn the Washington Post, Sarah Kaufman reports on the announcement of Julie Kent as Washington Ballet’s new artistic director.
Read moreIn the Washington Post, Sarah Kaufman reviews the March 1, 2016 performance of a mixed bill: Justin Peck’s “The Most Incredible Thing,” Balanchine’s “Tchaikovsky Piano Concerto No. 2,” Peter Martins’ “Ash” and “Infernal Machine.”
Read moreFor the Arts Desk, Hanna Weibye reviews the February 26, 2016 performance of “Giselle” at Covent Garden, with Sarah Lamb and Matthew Golding in the leading roles.
Read moreIn the Oklahoman, Kathleen Redwine reviews the February 26, 2016 performance of Ma Cong’s “Forgotten Memories,” Nacho Duato’s “Without Words” and Dennis Spaight’s “Scheherazade.”
Read moreIn the Huffington Post, Sean Martinfield profiles Carlo Di Lanno, currently paired with Sofiane Sylve in Helgi Tomasson’s Swan Lake at San Francisco Ballet.
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