Review: Mariinsky celebrates a prima ballerina
In the New York Times, Alastair Macaulay reviews the February 25, 2016 performance of a tribute to Maya Plisetskaya at the Brooklyn Academy of Music.
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James Canfield returns to Oregon Ballet Theatre with “Romeo and Juliet”
In the Oregonian, Grant Butler previews the February 27 – March 5, 2016 performances of James Canfield’s “Romeo and Juliet.”
Read moreAngel Corella and Pennsylvania Ballet: Pumping up the “Spanishness” of “Don Quixote
In the Philadelphia Inquirer, Nancy G. Heller previews the March 3-13, 2016 performances of Angel Corella’s “Don Quixote” at the Philadelphia Academy of Music.
Read moreWashington Ballet: Perfectly balanced in Forsythe’s “In the Middle”
Sarah Kaufman reviews the February 24, 2016 performance of the “Director’s Cut” program at the Kennedy Center’s Eisenhower Theatre: Annabelle Lopez Ochoa’s “PRISM,’ Septime Webre’s “State of Wonder” and William Forsythe’s “In the Middle, Somewhat Elevated” for the Washington Post
Read moreReview: Director’s Cut at Washington Ballet
Lisa Traiger reviews Washington Ballet’s “Director’s Cut” program for DC Metro Theatre Arts. The February 24, 2016 program included Annabelle Lopez Ochoa’s “PRISM,” Septime Webre’s “State of Wonder” and William Forsythe’s “In the Middle, Somewhat Elevated.”
Read moreTexas Ballet Theater’s “Classic Combination” program
In the Fort Worth Star-Telegram, Mark Lowry reviews the February 26, 2016 performance of Balanchine’s “Allegro Brillante,” Jerome Robbins’ “The Concert” and Harald Lander’s “Etudes.”
Read moreBoston Ballet’s soaring “Onegin”
Keith Powers reviews the February 25, 2016 performance of “Onegin” for the Patriot-Ledger.
Read moreA superb “Onegin” from Boston Ballet
In the Boston Globe, Jeffrey Gantz reviews the February 26, 2016 performance of John Cranko’s “Onegin.”
Read moreReview: Smuin Ballet
Sarasota Ballet presents Smuin Ballet as part of its subscription series. In the Herald-Tribune, Carrie Seidman reviews the February 26, 2016 program which included Ma Cong’s “French Twist,” Michael Smuin’s “Bouquet,” Ben Needham-Wood’s “Maslow” and Amy Siewert’s “Broken Open.”
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