Mariinski Ballet comes slowly to life

In the Washington Post, Sarah Kaufman reviews the Tuesday, February 23, 2016 performance of “Raymonda” at the Kennedy Center in Washington, D.C.

Mariinski Ballet in “Raymonda”

In the New York Times, Alastair Macaulay reviews the Tuesday, February 23, 2016 performance of “Raymonda” at the Kennedy Center in Washington, D.C.

LA Ballet’s “Don Quixote” still quests for its fire

In the Los Angeles Daily News, Dany Margolies reviews “Don Quixote” in Redondo Beach.

New Director will Bring a Wealth of Experience to Atlanta Ballet

San Francisco Ballet principal Gennadi Nedvigin has been named artistic director of Atlanta Ballet, effective August 1, 2016. Cynthia Bond Perry reports for the Atlanta Journal Constitution.

Pacific Northwest Ballet and Three By Balanchine

In the New York Times, Alastair Macaulay reviews the Wednesday, February 24, 2016 performance of Balanchine’s “Square Dance,” “The Prodigal Son” and “Stravinsky Violin Concerto” at New York’s City Center.

Stepping Up: The precocious rise of Justin Peck

In the New Yorker, Joan Acocella reviews “The Most Incredible Thing,” and profiles choreographer Justin Peck.

Tomasson’s “Swan Lake” Captivates, Despite Conundrums

In the San Francisco Classical Voice, Janice Berman reviews the Sunday, February 21, 2016 matinee performance with Mathilde Froustey and Luke Ingham in the lead roles.

The Dream/A Month in the Country, Birmingham Royal Ballet

Louise Levene reviews BRB’s performance of Ashton’s “The Dream” and “A Month in the Country” for the Financial Times.

In the Financial Times, Louise Levene reviews BRB’s performance of Ashton’s “A Month in the Country” and “The Dream” n the Birmingham Hippodrome.

Silicon Valley Ballet “Directors’ Choice”

Janice Berman reviews the Friday, February 19, 2016 performance of the “Director’s Choice” program for San Francisco Classical Voice.