Old Classic “Swan Lake,” shining new and bright
Janos Gereben reviews the Sunday, February 21, 2016 matinee performance with Mathilde Froustey and Luke Ingham in the lead roles.
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San Francisco Ballet’s “Swan Lake,” an Elegant Production
In the Examiner, Gilly Lloyd reviews the Friday, February 2016 performance of “Swan Lake.”
Read moreSwan Lake returns to SF Ballet with a few feathers out of place
In the San Francisco Chronicle, Allan Ulrich reviews the Friday, February 19 and Saturday matinee, February 20, 2016 performances.
Read moreWhite Swan, Black Swan, Love and Death at S.F. Ballet
In the San Francisco Examiner, J. B. Rosario reviews the Friday, February 19, 2016 performance of “Swan Lake.”
Read moreAt New York City Ballet, Works That Tell Stories and Don’t
In the New York Times, Alastair Macaulay reviews a wide assortment of ballets, including Justin Peck’s “Paz de la Jolla,” Kim Brandstrup’s “Jeux,’ Christopher Wheeldon’s “This Bitter Earth,” Peter Martins’ “Ash” and “The Infernal Machine” and Balanchine’s “The Four Temperaments.”
Read moreLA Ballet presents “Don Quixote”
In the Los Angeles Times, Laura Bleiberg reviews the Saturday, February 20, 2016 performance of “Don Quixote” at the Redondo Beach Performing Arts Center.
Read moreWashington Ballet’s Septime Webre to step down in June
Septime Webre, artistic director of the Washington Ballet for the past 17 years, whose high energy, charisma and large-scale balletmaking spurred the company to unprecedented financial and artistic growth, will step down at the end of June, when his contract ends, he announced Friday.
Read moreAnna Lopez Ochoa’s ‘Prism’ gleams at Silicon Valley Ballet
On January 24, 1975, a 29-year-old American arrived to play a solo concert at the opera house in Cologne. Sleepless and hungry, he discovered that he had been furnished a shoddy piano and nearly refused to perform.
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